Many developments!

A lot of developments have happened lately. I'm on Eminem's upcoming mixtape, which should be out within a week or so. I will be on the cover of the mixtape (shout out to my photographer Dietrich Graves @DietrichGraves) and another track that I remixed will be on the mixtape as well. A track that me and Yung Miss did back in the day called "Lemme Hold Suhn" will be on another mixtape that is going to drop soon. Some complications with DJ Bankrupt's mixtape has resulted in "Up At The Club" being used instead of "Get Ya Where I Want Ya", so it looks like I'll find another home for that song. Also, an open collab track by me and Tequila from back in the day made it on to a mixtape called "My Better Half" (hosted by Three Words).

The song "Keep On Pushing" has continued to spread around the world. My stream team has almost finished all of the French-speaking world, after which we plan to hit Nigeria, Ghana, Liberia, and Kenya before focusing on the German-speaking world. Lately, we've been interviewed by the media in the USA, UK, Netherlands, Germany, Italy, Mauritius, Senegal, Chad, and several other nations. The songs is receiving airplay in many more nations than that, as well. The song performed so well after first appearing on DJ Insane's mixtape "Hood Games Vol. 4", that it was reissued on Three Words' mixtape "Welcome To Germany". We plan to promote this song around the entire globe. In fact, everything has been going so well that there will be another collaboration between Godhand Black and Three Words on another positive vibe song similar to "Keep On Pushing".

There are also several other projects that I am working on. First is a song called "Runaway" by Turkish musician ASAP that I was supposed to finish years ago but never got around to because the Great Recession stopped me from doing anything but paying down debt for a few years. Next, there's a song called "Demolition Man" that Kriojinix and C Vegus will join me on. I found an old copy of a little-known remix of Adam F and MC Conrad's "F-Jam" that I rapped on way back in the day. I think that I'll touch it back up with my current set of plug-ins and se what happens. There is a song called "Tropic Thunder Kryptonite" that I've written the chorus and lift for, but still need to write the verses. It has an Andre 3000 meets Kid Cudi kind of vibe to it, though the delivery is nothing like either artist.

I'm about to get a radio show on Crescent Hill Radio, a local internet radio station that is going to get a low-power FM station. The show will be called "The Weekly Grind" and will cover news about that local music scene and advice for aspiring musicians. Several of my songs will also be featured in African movies this year, which is great! Also, spring is almost here so I will be hitting the road soon. I plan to put together a show or two in West Virginia in a month or so, as well as a radio appearance or two in Baton Rouge, Louisiana this May. I will also hit South Carolina in June, but I haven't mapped out the details yet. Other than that, I'm working on bringing a major music conference here to Louisville. But there aren't enough details ye for me to say more about it at this time.

I have been systematically weeding out egg followers, spammers, and bot followers from my Twitter account. I typically follow back anybody that follows me because I think that the whole point of social media is to be social and accessible. But I've picked up a lot of followers that are getting banned and suspended lately. This has caused my ReverbNation rank to drop occasionally. But after I'm done weeding them out, my Twitter fanbase will me much more interactive and my timeline will be more usable. I really enjoy connecting with followers on the Twitter platform and its hard to do that when there is so much spam in my timeline that I often dread looking at it.

I will also be performing at Poetry Night at the Wagon Wheel Lounge in Louisville, Kentucky this upcoming Friday at 8pm ($5 admission). There are also about a hundred other developements that I am forgetting right now. I am also to a point of needing either an artist manager or a fan club manager because it is getting difficult to handle all of the business side, fan interactions, and creative side (including engineering and producing my own tracks). Right now I'm doing most everything in-house and its starting to become a headache to manage on my own. But anyways, thank you for reading and I hope you have a great week ahead!

~Godhand Black~
@Godhand502

Matrix Revolutions

Lately, I've been getting asked why I stay grinding so hard that I'm routinely functioning off two hours of sleep each night. Some wonder why I don't just take it easy for a second now that everything seems to be falling into place? The answer is that I don't relax because I've been here before. Several times.

For those unfamiliar, one of the movie of The Matrix trilogy was Matrix Revolutions: a film in which it's revealed that there were other Neos who had previously tried  to liberate everybody, but had failed. Similarly, I've been right at the threshold of making it several times before: the 2003/2004 campaign and the 2010 campaign are good examples.

In 2003/2004 I was on top of everything. I was an underground purist, so all my songs were either battle raps or party songs made for drunken crowds. I had a couple of weekly repeating gigs, I was running The LAN Collective website (which had over 20 million visits before closing), I had a cable access show in the Greater Louisville area, I had the "LAN All-Stars" album, the "Net Beef 2" album, "Astro Train" was on the Peak Summit Festival compilation CD and the Hope and Play movie soundtrack, "Fireflies in the Moonlight" was in rotation at WLBJ 1570am and had been glowingly reviewed by Louisville Music News, I had poetry being published, and a few independent labels were biting. So what happened? Why didn't I make it then?

The reason is that many things broke down all around the same time: my aging live sound rig was breaking down from all the shows, my computer's hard drive crashed and I lost the ability to edit my cable access show and thus my show, Benk lost his studio and his producer Lil' Jay left to go write songs in Atlanta, Dietrich started dating a chick (who's dead now) that disapproved of all his creative endeavors, Fry's living situation became sketchy when his chick kicked him out, I had a falling out with Peak Summit Festival, and The LAN was running out of competition from other crews and disintegrating into nothing. I went from having unstoppable momentum to being totally out the game.

Then I got back into the music and eventually in 2010, I was standing right on the edge again: "On Lock" was blowing up, "Drinks Up" was selected by FutureMusic magazine as a reader hot demo pick on their accompanying CD, I was #1 on the Myspace Unsigned Hip-Hop chart, "Nod Ya Head Musick" had just been selected to be on DJ RPM presents The Showcase 169 mixtape, and I had the owner of JT's asking me to host a weekly repeating gig, and a few major labels had A&Rs checking me out. So what went wrong? The answer is that the recession caught up with me. I had survived it up to that point, but in 2010 the debt collectors finally cornered me and I ended up having to put everything into clearing my debts. This effectively shut down activities at Chamber of Nights Records. Also, there were a few other factors such as Fella not signing a contract after we completed "On Lock" so the label interested in signing us moved on, not to mention Darryl disappearing in the middle of "Drinks Up", leaving me with an unclearable version of the song (once again, an interested label moved on), and MySpace had their falling out with ReverbNation which eliminated about 8,000 of my fans from being counted in the rankings. All this hit around the same time and I ended up drifting out of music.

Now it's 2013 and I'm once again in a good position. I'm not taking it easy because much like Matrix Revolutions, I've been here before and failed to make it. So I'm going to continue through all of the long nights with no sleep, all of the driving on empty, all the hard work, all the family members who disapprove of me being anything other than a passionless puppet, all the collaborators with cold feet, all the equipment failures, and all the smiling faces on Pleasure Island telling me to relax and sip the champaign like I already made.

I'm staying the course and not relenting one bit this time. It's grind time. All of my tomorrows start here.